But an identity crisis is apparent, relinquishing The Veils into the realms of indistinct appearance. In fact, the album is enjoyable, rollicking through several memorable periods of Brit-rock, reminding listeners of why we actually adore this fashionable music in the first place.
It resonates a true grit and passion, especially from Andrews' raspy, mesmerizing vocal harmonies.
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The Runaway Found is not a bad album at all. You can currently download the The Veils - The Runaway Found album for free in mp3, flac formats at. The remainder of the album falls between Starsailor, Travis, Elbow, Alfie, etc, always raising the question: who are The Veils?
And so on it goes, "Guiding Light" exemplifies the dreamy The Verve, while "More Heat More Light" is fascinatingly similar to the recent success of indie poseurs Clearlake. "The Tide That Left and Never Came Back" draws in close proximity to the musical prowess of Morrissey's entire catalogue. This is evident on the newest single "The Wild Son," mimicking the profitable sorrow of Coldplay's Chris Martin and its balladry. After several listens to the album, much of the songs sound very similar to successful British bands from before and after. It benefits from the even-handed lushness of co-producer Butler, and perhaps a bit of. The Veils are a London-based indie/alternative band fronted by lead singer and songwriter Finn Andrews. Yet, The Veils' most cumbersome shortcoming is its inability to create its own distinct sound. Runaway Found, the full-length debut from England's The Veils, derives its greatest depths from a similar well. The Veils' most peculiar asset is its adaptability to numerous different musical styles. Fronted by Finn Andrews, son of legendary XTC collaborator Barry Andrews, The Veils have just released its first album The Runaway Found, from the strength of its first three singles "The Wild Son," "Guiding Light," and "The Tide That Left And Never Came Back." Today, The Veils, a four-piece London band, have created enough stir to become the next big thing. Nevertheless, Britain has always left its musical throne partly vacant, awaiting the arrival of the next big thing. Such is the case for acts like Coldplay, Oasis, and (gasp) Morrissey, comfortable in their respected niche, seldom progressing or improving their cherished sound. Most of these bands went on to respectable success but lacked any vulnerable commitment to grow as artists. It's hard to be the new buzz band of Britain.
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